Monday, March 13, 2017

Requiem Sonata Ch4 Preview

I finished another chapter of Requiem Sonata, and it took me forever to do, but this book is so near my heart that I have to do it. So I finally exhausted all of the pages of the 9x12 Stillman and Birn Alpha sketchbook that I was drawing it in, and all future pages will be drawn on 11x14 or 15 inch Alpha paper. The reason is, my hand and wrist pains have gotten pretty bad in the last couple of months, so to allow my wrist more room to work and ease its burden, I'm switching to a larger paper for these detailed pages. I'm happy to work at this size, and I'm actually working a lot faster because of it, so know your tools, dear readers aspiring to do comics! Knowing your tools is as important as knowing how to draw, because your tools will impact your ability, believe it or not.

So here are some pages from chapter 4, where Requiem gets more dark before taking steps toward the end. I hope my readers enjoy it and find the story fun!

Also, I'd be remiss if I didn't mention Spencer and Locke, which is my first comic to ever be published widely. I didn't write it, I did the art, so if you want to see me draw a detective with an imaginary panther for a partner, give it a look! Here's a link to some preview pages.

Tools: Deleter G-pen and Saji Pen for most of the main lines, and Pentel Color brush for fills
Paper: Stillman and Birn Alpha paper







Saturday, February 4, 2017

Spencer and Locke Preview Inks

It's been announced, so I can share some! So I was the artist on a book for Action Lab comics last year and the book will be out in comic stores in April.

The premise is "What if Calvin and Hobbes was set in a crime noir Sin City-esque world?" The writer is David Pepose, the color art by Jasen Smith and our letterer is Colin Bell. If you're interested in reading the book, check out this preview here and maybe order a copy through your local Comic Shop!






Monday, December 19, 2016

Curse of the Eel ch7 Cover Process

Here's a little look at my art for the cover of Eel 7. I don't have the pencils scanned, I was really excited to ink this. At first, I did not plan for the cracks on the face of the red side. My theming with these, was to show the difference in planes that was so prevalent in Lovecraft's work that inspired me to make Eel. His thoughts were that the universe was infinitely vast and complicated and humans grasp of it was limited, so I tried to visually show two opposite but complimentary worlds: human and non-human. With the end of Eel 6, that split is breaking, and upon inking this cover, I had the idea to show that cracking here. For the first time, the two worlds are linked, and based on this cover, it can't be good.

My tools here were:
Inks: Raphael 8404 #4 brush and Deleter Gpens with FW and Maxon black inks
Paper: Stillman and Birn Beta paper

I hope you enjoy the cover and Eel 7 when it's out.



Tuesday, November 15, 2016

Curse of the Eel Chapter 7 WIP

Here are a few pages of pencils and inks from Curse of the Eel 7, as spoiler free as I can make them.

I started drawing these as my work on Spencer and Locke was coming to an end, I'm not even really sure what I can share of that work at this point, so Eel it is. These were a fun break from buildings and such, and I feel like I got to play with my brush a lot on these. I hope that the framing is interesting and that you're left wondering who that person in the hoodie is.

Tools: Prismacolor Turquoise leadholder with Faber Castell B Lead for pencils
Inks: Raphael 8404 #3 brush, Deleter G-pen and FW Acrylic Ink
Paper: Stillman and Birn Beta paper, the best for drawing comics












Thursday, September 15, 2016

SPX 2016!!

I'll be at table I-12 this weekend for the Small Press Expoooo! Here's a map and some covers of comics that didn't exist last year at the show, that will THIS YEAR!!







Wednesday, July 13, 2016

Curse of the Eel Ch 6 pgs 1-5 Inked

It's been too long since I had a comic update! Since I can't really show what I'm working on for publishers or for pitches, I'll share my most recent inks of Curse of the Eel. If you'd like to see the pencils for these pages, click HERE.

Inking Curse of the Eel is the most fun. I use a Raphael #3 brush to do most of my lines and that allows me to ink fast and expressively. I've started using Zebra brush pens to help me do fine lines, just because I want spare my wrist since my day job in graphic design is also demanding of my wrist. I'm inking as always on Stillman and Birn Beta paper, the surface is super accepting of pencil and ink and I've still yet to find a paper that is as much fun to ink on as it is to pencil on.

This was a fun chapter for Eel, I got to delve into some of the actual horror stuff that's been brewing since chapter 1. I got to draw 2 monsters in this issue, so I'm happy. I didn't think I was so into horror when I started Eel, but I've become really fond of it now. I still listen to H.P. Lovecraft audiobooks to set the mood while I'm working. These are also the places where I get to play with my comic skills. I don't really get the chance to on my other projects so my own projects are where I can try weird things and see how the experiments go! Like that 4th page, I hope you enjoy that one!

Thanks for the read and hope you like the pages!






Wednesday, June 29, 2016

The Hidden Giant, the Golden Gate Bridge!

I got the chance to fly out to San Francisco last week and visit Riley Street Art Supply store for their anniversary sale! I went and spoke to a lot of really cool and inspiring people, I got to take in a few sights and also, do a little bit of sketching.

Shortly after arriving we crossed over the Golden Gate Bridge and it was just covered in fog. It was such an awesome sight to cross the bridge that we ended up pulling over for a second so I could do a sketch of it from Vista Point. I began with the inks, hoping that by the time I finished all the structure that the fog and mist would have lifted, but it just endlessly poured over the top of that hill. I only saw glimpses of beams and wires, and that made it even more interesting. After finishing the inks, we left for the hotel where I added the watercolor to the inks.

The next morning, unhappy with how the drawing just looked incomplete, I prepared some gouache with French Ultramarine Blue and started painting in the mist. I think this was a gamble that paid off as once the drawing was done, I felt like I managed to capture the feeling of this awesome architecture refusing to reveal itself by hiding in the mist. It's flowery and magical, but I write comics so that's just my imagination.

This drawing is also the thesis of why I love Stillman and Birn sketchbooks so much. This was done in my softcover Alpha, one of the new products, and well, I don't think there's a paper out there that can be this versatile and this much fun to draw in. I couldn't have done this drawing in any other sketchbook and have gotten this level of quality.

Materials: Pentel Hybrid Technica 04 and Zebra Large Brush pen, Sennelier and Da Vinci Watercolors and Holbein Gouache.
Paper: Stillman and Birn alpha softcover sketchbook, 150 gsm