First off, I need to post here more often. I work non-stop on pages, but I never really know what's okay to drop into a post. I'm going to just start posting things, even if its just a page, so that this site doesn't lay dormant. And in the spirit of that:
Max Currie and things appear to evening out for me.
This comic was about breaking down walls, I'm a pretty happy dude but I'm really paranoid, and this translates into my comics in horrible uncertainty. I never know if a brush stroke is perfect enough or if I'm really using the best layout. But this comic was about being PUNK, it was about a girl who go sick of having to be perfect and chose instead to be rough and pissed off and make music to let the world know she wasn't happy about it. This comic is pseudo personal in that I was telling my inner editor to bite me and I was going to do what I wanted and not be a stick in the mud when it came to the "rules of comics."
I think the color tone REALLY adds a lot to the comic, I was using it like you would a gray tone, to push items forward or pull items back, like in page five, I chose to illuminate the band and stage in white and let the audience fade into that black by being coated in the bands hot gnarly purple. I'm also really happy with my brush inking here, I really opened up and just let it all out, and I think I need to do that more or else my lines get stiff. Also, penciling wise, I was WAAAY less precious with these. For example:
I'm trying to pencil more loosely than before, where I would try to make every line I put down a pencil version of the line I was going to ink, but that's a waste of time to me if I'm going to ink it. I'll try to be more precious with them when I'm working with an inker, but for the moment I think this will work in just allowing me to pencil faster to get these comics out quicker.
Post a Comment
Note: Only a member of this blog may post a comment.